Our own Julia Evans recently got to interview Ryan Bradford, editor of Black Candies, our journal of literary horror. He also volunteers as So Say We All’s creative director, as well as a producer, performer, and writing coach for us. Black Candies: Surveillance was recently released (and is currently a Recommended Book at Powell’s Books!) and to celebrate, we are hosting a reading and release party this Saturday night, 6/27, at Low Gallery in Barrio Logan.
So Say We All: Hi Ryan. Why horror?
Ryan Bradford: Oh man, busting out the big guns first.
Truthfully, I’ve spent so many hours trying to figure this out for myself. I suspect, ultimately, horror fandom is very personal, and there is often an underlying vulnerability to every obsession.
For me, I’ve dealt with anxiety most of my teenage and adult life. Even in benign social situations, I experience physiological effects: sweating, increased heart rate and clenched jaw. It wasn’t until recently that I was able to recognize these symptoms as anxiety, which, as a therapist told me, is a body’s reaction to fear. Or, basically, I was constantly experiencing fight-or-flight symptoms, despite the fact that I wasn’t being threatened. Reading horror or watching horror, on the other hand, provides this little nest where these symptoms feel normal. It feels like I can be myself, where my anxiety doesn’t feel misplaced.
But I’m also kind of a horror snob, or, at least, very particular about it. I think if you look at the majority of horror books or movies, you’ll see an overbearing grotesqueness. I wanted Black Candies to be an antidote to all the gaudy stuff I was reading and watching. It sounds pretentious every time I say it, but I’ve always wanted Black Candies to be intelligent horror—full of subtlety, wit and nuance. I couldn’t find a lot of online or physical print journals that were satisfying those needs, so I decided to make one.
SSWA: Do you remember what sorts of things you were reading/watching when you started Black Candies four years ago?
RB: I think I read Blake Butler’s Scorch Atlas, Joey Comeau’s One Bloody Thing After Another, and Nick Antosca’s Midnight Picnic in a row and those books were dark and gross without being indulgent or typical. They also had serious emotional stakes that weren’t used as plot devices—which is rare in horror and dark fiction. Those were huge inspirations to Black Candies.
SSWA: Your themes are always a bit unexpected. What grabbed you about “surveillance”? Why did you want to curate a surveillance-themed issue?
RB: Good horror has always been a tool for addressing social issues of the time. I mean, look at George Romero movies—you can pretty much trace the history of American unrest through the “of the Dead” series.
So, I think like everyone else, I was freaked out when the Snowden bomb dropped, but it was also a moment of instant revelation: “Surveillance. That’s going to be the theme of the next issue.” It’s a fear that we all share right now to some extent, and I wanted to create something that we could all connect to.
SSWA: Do you primarily find authors who identify as horror writers?
RB: Not really. I just want people who can be dark. In fact, I think some of the best stories come from people who aren’t necessarily horror writers, but are given permission to tap into their dark side. It’s exciting when writers scare themselves at what they’re capable of writing.
SSWA: We feature a lot of women writers in Black Candies. Is this intentional?
RB: Yes, it’s intentional. I’ve found that women are often underrepresented in horror, and wanted to create a platform where they could not only have a voice, but be as gross, dark and unlikeable as they want. I still think there’s an attitude, even among the liberal literati, that can’t abide a woman writing ugly stories.
SSWA: What will non-horror readers think of these stories? or… Is this book accessible for people who traditionally do not think of themselves as horror fans?
RB: As I said above, I think “Surveillance” is a universal anxiety right now. Even if you’re not a horror fan, these stories should strike a nerve in you.
SSWA: And what about serious horror fans?
RB: If you’re a serious horror fan and you don’t like these, well, come at me, bros.
SSWA: There’ll be a live reading from the book this weekend, at the book release party. How does a story transform for you when you hear it read out loud?
RB: It’s great to see how a story transforms when an author reads their own work. As I mentioned above, some of these authors don’t usually write horror, and when they do, it can be an exhilarating/terrifying experience for them. When you push that further and have them read this ordinarily-taboo piece of writing aloud, it can become a spectacle of emotion. Does that sound sadistic? Maybe.
SSWA: What’s next for Black Candies?
RB: I’ve always wanted to have an online Black Candies, so that may happen in the near future. Also, Black Candies-flavored Doritos.
Read about how Black Candies: Surveillance is a Recommended Book at Powell’s Books in Portland here!
Join us at Low Gallery, 1878 Main Street, at 7pm on Saturday, June 27th for our Black Candies: Surveillance Reading and Release Party!
Purchase Black Candies: Surveillance here.